Open Source, MOOCs, and Hammers

Perhaps Vaidhyanathan and I just got off on the wrong foot.  I might have felt better about him if I read his post on the Chronicle of Higher Education Blog.  But, I read the Social Media Reader chapter first, so I didn’t think much of him.  We made up in the end though.

Open source is not the way we have always worked.  From Socrates complaint that writing would undermine his proprietary knowledge, through trade guilds of the Middle Ages, to the resistance of the Catholic church to printing the Bible in the vulgate, humans have sought to guard and horde knowledge.  Teaching slaves or wo

Open Source for Blacksmiths. Now it’s a Jack Hammer.

men to read was dangerous.  They might think for themselves or want to vote.  Knowledge, and more importantly, control of its dissemination has been a basis for power throughout human history.  So don’t give me any techno-hippie garbage about free love and source code being the natural state of man.

I absolutely agree that copyrights and proprietary restrictions squash creativity and potential.  On the other hand, they enable creativity and potential for others.  Overwhelmingly, most people who use computers today do not engage in basic programing.  They want a word processor with spell check, an easy way to post and view cat videos, and a simple and fairly reliable connection to other people and information.  Vaidhyanathan is correct when he distinguishes between software and music or literature; it is not an expression.  What he fails to see is that software is simply a tool for most of us.  It’s a way to do other things.  Like most of the tools in my blacksmith shop, I want them to work without thinking much about it.  There probably is a better design for a particular hammer or saw, and if someone wants to spend their time thinking about it, more power to them, but that’s not me.  The same is true for software.  People are willing to accept just pretty good programs if they have wide compatibility, ease of use, and dependable customer support.  Linux is a great operating system that you can adapt for various uses and you can depend on it to be stable, but you can’t run most programs on it and I couldn’t watch Netflix with it, so to Hell with it.  I will spend the money to get Windows 7, because I am not just paying for a program to run my computer, I am paying for familiarity with the product, compatibility with other computers and software, and a 24/7 hotline for customer service.  Sure with open source software, I could fix the clitches myself, provided I learn the programing language. Software is kind of like pharmaceuticals.  Lifting copyrights and proprietary restrictions would result in low cost production of medication that could save millions.  But then how would we pay for the years of development and clinical trials?  Without those copyrights, many drugs would never be developed.  Please don’t get me wrong.  Micro-Soft and big drug companies are creations of the Devil which are fueled as much by the souls of consumers as their dollars.  However, if left in hand of well-intentioned programmers and designers and without corporate investment of time and money, computers would still be as large as a house and run on punch cards, thus making this whole argument moot.It is with similar skepticism that I view MOOCs.  Here, Vaidhyanathan and I are in agreement.  I love the Khan Academy, but it is not the same as attending a class for a semester.  MOOCs will be a great tool for those who seek to learn new skills or acquire knowledge.  I also believe that access to learning should be as wide spread as practically possible.  But I have no fear that my years of study and dollars paid for a PhD will be wasted as millions of people steam forth waving online degrees.

Week 3 Readings – Collaboration

When I think of collaboration, the first thing that comes to my mind is music. When I was in high school, *NSYNC (don’t forget the asterisk) was the bee’s knees. A few years later, they broke up and each member went his way. Justin Timberlake went on to be a Grammy-winning and billboard-topping solo artist, while JC Chasez went on to…you be the judge of his post-*NSYNC career. As a group, *NSYNC was powerful. Disbanded, minus Justin, they are nothing. This demonstrates the pros and cons of collaboration. For some people—Beyonce, Michael Jackson, Phil Collins—their solo careers are successful arguably because of the group that supported them, the group they first collaborated with. It could also be argued that the group carries a completely different identity to the person who would have been successful on his or her own (Chris Cornell, Jack White). However, other artists burn and peel after collaboration has ended. Billy Corgan (of Smashing Pumpkins), Scott Weiland (from Stone Temple Pilots), and Scott Stapp (from Creed) were much more successful with their group than their solo careers.

Does correlation help and hurt people, or is it an arbitrary argument? The question reflects other ideas about correlation, namely identity. Hyde et al discusses the nature of the “node” that produces something. What is the degree of someone’s control over how the negatively- or positively-generated benefits of a product affect that person as they collaborated with a group? Essentially, when someone collaborates, he or she adopts in part another identity. Could someone who was temporarily identified as a “group” end up competing against themselves as they assume their individual identity? The reason I pose this question is because I’ve been thinking about strategies in publishing. Would I as someone who wants to publish with professors be hurt in the future because I can’t produce anything at the level of the collaboration? Or would it propel me further than my own efforts? In other words, the immediate impulse grad students have is to jump on any publishing opportunity with a professor, an impulse that I would for sure respond to positively (*wink wink Dr. Markmann*). In fact, as students we are taught to take these kinds of opportunities. But could this backfire? Would you then be expected to publish at this level, or produce something better? Or what if what you were producing with a professor was based on precepts or research that you actually disagreed with?

“Open Source” and the Proprietary Model

This weeks readings included chapters 3, 5, 14, and 18 from The Social Media Reader. A common theme among all of these chapters was a discussion of the differences between “open source” and the proprietary model. Chapter 3 claims that throughout most of our history, technologies have been open source. Individuals have been allowed to freely add on and change these technologies to use however they see fit. However, with recent copyright laws that protect intellectual property, individuals cannot just take emerging technologies and change them however they want. The proprietary model protects the developer of intellectual property from others who may take their ideas and potential profit. As stated, “according to the proprietary ideology, innovation would not occur without a strong incentive system for the innovator to exploit for commercial gain (pg. 25).” The chapter further goes on to make some points against strong intellectual property rights. For example, strong intellectual property rights does appear to limit the amount of individuals that can bring in their own knowledge to produce new information goods. Proponents would argue that strong intellectual property rights might limit the creativity of our citizens.

Coming from a business background, this idea of open source does seem somewhat dangerous to me. However, I did find the readings interesting and I was surprised to find out just how much stuff their already is posted online for free use. I look forward to hearing everyone’s views on the issue tonight in class!

Another thing that stood out to me in this week’s readings was just how complex copyright laws are. We have already heard in class what a headache they could be, but chapter 14 discussed how even a lawyer specializing in intellectual property could not give the assurance that no laws were being broken when Eyebeam wanted to give away its Bright Idea Shade design based on the work of several designers in the 60’s and 70’s. Though it appeared to be a good idea, and there appeared to be customers willing to purchase the item, corporations were not willing to pour resources into the idea for fear that they might later be sued.

Chapter 18 of The Social Media Reader was also very interesting in its discussion of journal publications. This chapter discussed the idea bypassing for profit printing houses and placing scholarly findings online. It seems to me, that a “digital revolution” in scholarly research may allow individuals an outlet for new and exciting ideas that may not be accepted in mainstream journals. However, this is also one of the problems associated with the “digital revolution.” Publications of scholarly articles rely on peer reviews, but the peer review process is one thing that is lacking when it comes to the digital context. Also, even if all of our scholarly knowledge is posted for free online, it does not mean that it will be read. As chapter 18 pointed out, the power law distribution in the blogosphere may be instructive in this situation. As stated, “power law distribution ensures that the more material is placed online, the greater the gap between material that gets huge amounts of attention and that which gets merely average attention (pg. 264).” It is clear that some academics may not be ready for a switch to this digital context.

 

Mandiberg, M. (Ed.) (2012). The Social Media Reader. New York: NYU Press.

 

Open Access, expanding the Share button

 I admit that even the idea of open access was counter-intuitive for me before this week’s readings. Coming from an academic background that valued copyright, publishing laws, and intellectual property above all else, it felt wrong to me for anyone to suggest we not only give away our work for free but we encourage others to modify it as well. I tried as much as possible to come into the readings with an open mind and to explore the existing and potential benefits that come with open access.

 In his piece Open Source as Culture/Culture as Open Source from The Social Media Reader, Vaidhyanathan was straight forward about the benefits of open source as opposed to the short falls of copyright. He lists peer production and the long standing norm of sharing new discoveries with one another openly as selling points for open access.  Peer production exemplifies the old adage that two heads are better than one, and sharing the product/idea/service developed from this collaboration through open access can benefit anyone or everyone.  Previously I had not given much thought to how new and counter-productive copyright law can be. I had always come from the perspective that copyright was there to protect the artist’s ability to support themselves on their work, not that copyright could actually hinder information sources. Not to say that copyright is inherently bad, but most circumstances could be served by a middle ground. Vaidhyanathan confirms this by stating, “Most important, these experiments and projects show that “all rights reserved” need not be the default state of copyright protection. For many people, “some rights reserved” serves the interests of creators better than the absolutist proprietary model does.”

With peer production and collaboration established as strengths of open access, what could a potential risk be? When there are multiple people involved in the same project, it is not always guaranteed that they will have a common objective. Who is to say that the next person to modify an existing idea, object, or service is making it better or even has positive intentions with their actions? The authors of chapter 5 in The Social Media Reader narrate an incident when Stephen Colbert purposefully edited a Wikipedia article with false information and encouraged the viewers of his show, The Colbert Report, to do the same. Wikipedia had fail safes in place to eventually correct the article, but the situation did bring to light the understanding that some kind of regulation is essential to maintain the integrity of a project that makes use of collaboration.

I asked for a different view than my own on intellectual property, and Mandiberg‘s Giving Things Away Is Hard Work was certain there to provide. Practice over origin was the overarching theme, and patent is thrown by the wayside for the good of the community. He goes as far as hoping that a large bike manufacturer will steal one of his inventions just so it reaches a larger audience. While I did feel that his philosophy on giving away your work for free was somewhat unrealistic for most workers in today’s world, I did agree with his point on how the participatory nature of open access can be the genesis of a community. He writes, “The sharing of the project creates participation. And participation is at the edge of the beginnings of community.” 

Because this is my first M.A. class, I had not given much thought previously to the cost of academic publishing. However, while the prior readings had not really sold me on open access, Dawson’s DIY Academy from The Social Media Reader coupled with the first chapter of the Open Access textbook have showed me how flawed the current publishing system in academia can be with respect to cost barriers and influence of the public and publisher on the subjects explored by authors. Open access has obvious strengths in this area because publishing online can be done practically free, the material can be accessed by anyone so there is no pressure to cover a subject of interest to a publisher’s market. While online publishing may not now have the same integrity as an established printed publication has built over time, I believe that the academic world will come up with a change out of necessity, and very soon. However, the irony that only part of the Open Access textbook was available online for free was not lost on me.

Open-Source as culture

The arguments regarding open-source as   culture were surely intriguing. While one side argues that innovation is hard to appear without strong incentives for the effort of creators, the other side of argument is that strong intellectual property right can potentially hinder the flow of information and prevent continuous group efforts of improving creations. By using the examples of software and other media contexts, the article somewhat lean onto the advantages of open-source.

While I strongly agree that better creations are always coming from collaborations of brilliant minds, proprietary knowledge should be protected for economic incentives and from the risk of being open to anyone.

As mentioned before, social media network is consisted of individual users and contents, and accumulation of such contents creates significant value for the network. While users’ content sharing and collaborated works are the primary mean for content creation, the definition of collaboration is rather complex and often the source of debate for content ownership. Hyde and colleagues explained that the act of content sharing alone cannot be constituted as collaboration while many online contents are shared, and the works often stand alone. Hence, ranging from weak to strong, collaboration can occur when the criteria for assessing the strength of a collaboration is met—intention, goals, self-governance, coordination mechanisms, property, knowledge transfer, identity, scale, network topology, accessibility, and equality. On the other hand, in reality, I think that as long as the collaborators’ contributions are acknowledged, it should be fine.

Who would think that giving away brilliant ideas for free was that hard? One may think that any business with a functioning brain will be profited from free idea, but apparently it can only work when there is no extensive infrastructural investment and minimal risk of facing armies of competitors who want to benefit from the first market mover’s hard work. In fact, the series of copyright laws and businesses’ action of protecting their proprietary knowledge can indeed hinder active improvement and flux of creativity. However, when there is no protection for business ideas and investment, it is extremely difficult for businesses to actively use any extraordinary, but free idea. In that sense, I have to say, an excellent business idea is the one that is profitable, marketable, sustainable, and protectable.

The implication of digital open-source in an academic field was particularly intriguing since I am a scholar wannabe. Given the declining funding for publications and library resources, scholarly publishing is becoming increasingly demanding and competitive. Hence, it is natural for scholars to lean toward open-access movement. However, the issue is that there is little or even no sense to give away hard-won research to publishers free of charge in an exchange for gaining glorified status of being a scholar. Proponents of open-access movement argue that, since scholars want publicity, open-source publications satisfy both publishers and scholars. I entirely agree with open-access movement, and I believe that ongoing collaboration in theoretical and empirical level among scholars can truly advance any academic discipline. Nevertheless,  the reality is that junior scholars are under tremendous pressure to publish quantitatively and qualitatively for their successful career paths. Besides, many scholarly publications are not considered equal because any academic discipline often has a ranking system for academic publications, and the quality of scholarly works are often evaluated based on the ranking of the journals that scholars’ works were published.

Overall, such movement of open-access will surely govern the future of information exchanges and education. Educators will be forced to revamp their mind set for academic advancement along with their career paths. The definition of academic institution will undergo certain changes because the establishment is no longer the sole source of knowledge. We may be in the turbulent transitional period where the clashes of values are yet to be settled down. One thing for sure is that I will certainly have a career path, which will be slightly different from my professors’.

 

With an Open Mind to Open Source

I was intrigued to see that open source was one of the topics for this week’s discussion because aside from the basic concept of what it means, I was rather unfamiliar with it. Vaidhyanathan quotes Benkler, who views open source as “peer production”, which, in my opinion, gets at the very heart of what open source is all about. The opportunities for collaboration offered by open source is at the heart of what distinguishes Web 2.0 from 1.0 and, as mentioned in the readings, Linux and Wikipedia are excellent examples of how just how embedded in our society open source has become. I also thought that Vaidhyanathan brought up a good point that the copyright holder must have enough faith in the copyright system to justify his or her investment in it. Without such faith, the system cannot thrive, which is why some programmers and entrepreneurs contribute to open source. Given the popularity of the aforementioned examples, the open source concept is more powerful than one might think.

Interestingly, Hyde et al. discussed the difference between sharing of content and collaboration, two terms that can be easily confused, especially in the context of social media. As mentioned by Hyde et al., social media platforms can become collaborative when they add an additional layer of coordination such as a hashtag on Twitter. However, such platforms are not inherently collaborative, which implies a many-to-many reach. Often, users simply share content, which can be viewed as more of a one-to-many approach. In this way, it can be argued that while many social network users may feel that they are collaborating when they use social media, they are simply sharing content.

As a marketing doctoral student, I found the case studies discussed by Mandiberg to be quite interesting. Mandiberg’s main point is that participation breeds creative mutation, which leads to better ideas through collaboration. From a business perspective, it is a natural inclination to think that this mentality is a good one to have if you want your idea to be “stolen” from you. However, Mandiberg argues that as a result of others’ contributions, the original idea can be transformed into something greater than what it started as. It is interesting to note, however, that this tends to work best for a product that has some sort of digital component to it because a strictly physical product does not require collaboration, but simply, a means of production.

I have often wondered about some of Dawson’s points in her argument for a DIY Academy. However, she begins the chapter by saying that “…scholars illogically hand over their hard-won knowledge virtually for free to presses…” While this is true, I believe that part of the beauty of scholarly research lies in its tenets of peer revision and journal selectivity. After all, by electing journal editors who have vast experience in a given field and by allowing all authors to review one another’s work, this system helps to maintain the prestige that academia is known for, while still allowing for the acceptance of a variety of viewpoints through the security of the tenure system. I agree that in light of developments in digital technology, the current publishing system should be revised, but I’m not sure that a completely open-access arrangement is the best move for scholarship either.

 

nodes helping nodes

This week’s readings deliver a solid kick to the old-school ego, expanding from the idea of “networks,” and integrating the notion of creativity and productiveness within such a system. Vaidhyanathan offers a nice introduction to “open source” culture, but things don’t start to simmer until chapter 5 of The Social Media Reader  in,  “What is Collaboration Anyway.” It is an essay with (fittingly) many authors, in which the new ground of digital collaboration is depicted as ignoring unique snowflakes while enthusiastically crystallizing and expanding upon pre-existing patterns and thoughts, creating an ultra-snowflake, made up of many contributors. Wikipedia is referenced as a system that builds upon itself by way of an originating idea/record, an operating strategy that is reminiscent of a virus. The operational pattern is dependent on the encouragement of community through shared ideas and strategies of production. Kutiman’s bricolage of other users’ Youtube videos stands in contrast to Vimeo, a video sharing site known for its community assistance through well-defined individual expressions within the audio/visual medium. Joseph Gordon Levitt has trumped both of these websites in the collaborative sphere with his hitRecord (http://www.hitrecord.org/), a site dedicated to contributing your personal material (video, music, scripts) to share (in the true sense of the word) for purposes of combination works with other users in a fashion similar to Kutiman’s technique, except done with full awareness and permission.

In his essay “Giving Things Away is Hard Work,” Michael Mandiberg discusses examples from his own creative endeavors and how they fared in the eagerly co-opting business world.  From his lampshade idea to a reflective bicycle wrap, Mandiberg encounters obstacles as he tries to encourage translation from intangible idea to physical manifestation. Clearly there is still a divide between the two as they relate to the notion of what a “free” idea really means. I was rather fascinated with Mandiberg’s entrepreneurial abilities and found myself wondering how he would actually respond if his reflective bicycle wrap were taken over by a corporation and generated a large profit. And what ever happened with the lighting in the Eyebeam offices?

Finally, there is Ashely Dawson and her essay “DIY Academy? Cognitive Capitalism, Humanist Scholarship, and the Digital Transformation,” as well the articles Dr. Markman linked us to regarding MOOCs, all of which I found rather depressing when considering a career in academia. In a rapidly changing environment of free literature and learning, what is the point of getting official accreditation when anyone can produce work of value, or contribute to work of value? What even classifies as valuable academic research and work if anyone can do it?

 

 

Posting things other than text

I am posting this in response to a question I received in the comments section earlier about posting pictures.  Unfortunately, the comments box does not allow me to demonstrate what I am trying to explain.

When you create a new post, there is an icon at the top of the dialog box that is the insert media tool (in red).   I hope this is helpful.

Clicking the Add media button opens a new window what you can images. Below the “drop files” box, is a set of formatting options. Captions (like this) are entered in the “caption” box.

Three things… (now four)

1. I forgot to mention this in class last week, but I have an undergrad doing an independent study with me on the topic of cyberethics. She is blogging as part of her work, and she and I would both appreciate your thoughts on her blog posts. The cyberethics blog can be found here: http://blogs.memphis.edu/kmmrkman/. Thanks!

2. For this Thursday’s discussion about open access and collaboration, I’d like to propose looking at Massively Open Online Courses (MOOCs) as a case study in openness. Here are a few links to get you started if you haven’t been obsessively following the discussion this summer:

http://www.cnn.com/2012/07/05/opinion/bennett-udacity-education/index.html

http://chronicle.com/blogs/wiredcampus/coursera-hits-1-million-students-with-udacity-close-behind/38801

http://www.insidehighered.com/news/2012/08/02/conventional-online-universities-consider-strategic-response-moocs

http://chronicle.com/blogs/innovations/whats-the-matter-with-moocs/33289

3. Don’t forget to comment on last week’s blog posts. Let’s keep the discussion going!

And here’s a 4th thing I just saw, a new book, Open Access, which, while not entirely open yet, does have a sample chapter available for free download.

 

Networks

In many ways, what Marshall describes is similar to state of Empire depicted by Hardt and Negri, where politics and culture serve the economic interest of global corporations rather than individual nation states.  However, what Hardt & Negri, and to a degree, Marshall seem to overlook is that this is not a new trend or phenomena but rather a continuation of what is afforded by technology.  The invention of writing afforded greater expansion and progression of cultures through commerce, learning, and consistency of message.  The invention of the printing press was significant to the Protestant Reformation because it afforded access to the word of God without the gatekeepers of the church.

In light of Barabasi’s example, I thought I would share this. This is a bacon press I made for the National Ornamental Metal Museum. 6 degrees of Kevin’s Bacon.

The basic structure of any network is the connection between nodes.  Humans, like most animals are social creatures and are driven by a basic, hard-wired need to connect to others.  Maslow’s ranking to the contrary, social connection may be the most basic need we have.  It is our desire to connect that pushes us to mate.  Our connection to the offspring of that mating drives us to feed and nurture infants when they can provide for themselves.  Social connection makes fulfilling all the other needs, food, shelter, love, safety and so on much easier to acquire.  That we would exploit every means of connecting afforded to us by technology or circumstance seems to surprise some theorists, when in fact it is the most fundamental urge we have as living creatures.

My views on the nature of humans, expressed above, colors how I processed boyd’s discussion of networked publics.  To me, they are nothing new.  The expression, “It’s not what you know, it’s who you know, precedes new media by a century or more.  All cultures, communities, and societies are networked publics in essence where people have public and semi-public profiles, a list of “friends” (in-group and out-group members), and a means to observe the connections between other members of that network.  Gossip has been around much longer than the internet.

What I did appreciate about the boyd chapter was the discussion of context.  One of the most profound changes in our networking has been the change in context of our connections.  We are no longer bound by special and temporal constraints to the degree we were just a few years ago.

I will end my rant, not by telling Castells to get off my lawn, but rather that it’s the same grass its always been, only the seasons have changed.  It is significant that we are looking not simply at objects and nodes but also the connection and context in which they exist.  The major shift is not the emergence of networks but rather the number of nodes connected to each other and perhaps more importantly, the number of connections between nodes.  More frequently people are not connected to each other in a single context such as work, church, or family, but may have many lines of connection.  These increased connections alters the relationship between the nodes.